Ibou Ndoye

Art Review: Ibou Ndoye and Adebunmi Gbadebo at NJCU

Glass painting in West Africa has roots in a lower-tech era. Yet its modern resonances are undeniable. When done properly, a glass painting is seen through a thin, shiny transparent layer. It’s not unlike the way we modern viewers apprehend most of the images we encounter: through the backlit flat-panel screens of laptops and phones.

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