Two decades ago, no artist would have depicted Jersey City like this. Hudson County was resistant to glamorization. Instead, artists who engaged with the town— photographers Ed Fausty and Shandor Hassan, for instance—favored a stark realist approach so keenly and meticulously observed that it attained the alien quality of dystopic science fiction.
Green Villain, a creative platform that uses public art to drive community engagement throughout Jersey City, has partnered with Rabbi and artist Yitzchok Moully, a New Jersey-based artist, and with Rabbi Shmully Levitin of Chabad Young Professionals of Hoboken & Jersey City to produce an interactive public art project located outside the Buy Rite Liquors store at 575 Manilla Ave, Jersey City, NJ.
Candy Le Seuer’s “Reflections” exhibition features abstract expressionist oil paintings that feel like hallucinations.
As long as anybody around here can remember, Jersey City has been a visual-arts town. We’ve had a long history of art shows in warehouses, art shows in cafés and restaurants, art shows wherever we can fit them basically. The annual Jersey City Art and Studio Tour turns the entire town into a giant open gallery. While there are plenty of other cultural events on the calendar, JCAST still feels like the anchor of local culture.
Hudson County applauds abstraction and bold, passionate, macho gestures of individual self-expression.
The same could be said of Novado Gallery’s local impact. Like other Jersey City gallerists, Novado (along with business partner Steve Pearlman) wanted to create a dedicated space for art shows as opposed to a café or hair salon that also happened to exhibit art. Business owners and real estate developers often persuade artists to hang works in their spaces for “exposure,” adding much-needed decor to their ventures for free, This bartering was exactly what Anne didn’t want to see. After all, “does a lawyer set up a booth for free advice just for exposure?” she asks.
“Eye Level,” Tris McCall’s new review column for the Jersey City Times, will be outfitted with a new post each Friday morning.
“Slow Art” asks the viewer to pause and reflect, respect the inner rhythms of the works on view, and indulge in the luxury of contemplation.
Maps tell lies. Oh, they may get you where you want to go, but they’ll whisper distortions in your ear as you travel. The Mercator Projection of the earth — perhaps the most famous map in history — has misled millions by exaggerating the size of land masses at polar latitudes and diminishing the tropics.
Nothing about this uncommonly welcoming group exhibition feels rigid or cold: These seven artists might have their minds on the distant skies, but their collective version of space is nothing like a void.