Today, those rooms are silent. The global health crisis has emptied out the galleries and closed the doors of our creative spaces. Most of the arts institutions in Jersey City work on thin margins. Even in good times, it’s difficult to keep galleries solvent. Frozen in place and with few ways to act, local curators face an unprecedented challenge.
“One Year After,” a retrospective exhibition that will be on view at the Art House Gallery through the end of March, places those simpler works in the company of others that aren’t quite so guileless and establishes Manzueta as a painter of considerable breadth and talent — more than just our homegrown answer to Daniel Johnston.
JC Fridays stands as our quarterly reminder that Jersey City is a visual arts town. It’s what we do well, and it’s a comparative advantage the city has over other municipalities in the Garden State (and beyond). We love to look at pictures and sculptures and photographs and off-the-wall installations. The annual Jersey City Art and Studio Tour turns the entire town into a giant open gallery. While there are plenty of other cultural events on the calendar, JCAST feels like the anchor of local culture.
But in practice, JC Fridays is a visual arts celebration and a quarterly echo of the annual Artist Studio Tour that has defined the cultural life in this town for decades. There are more art openings and gallery events listed on the JC Fridays site than all other options put together. This means it’s a fine excuse to run all over Jersey City, taking in as much visual art as you can stand.
From these elements, Lay has conjured something subtly familiar and maybe even deeply human. Lay calls many of these images “digital mandalas,” and many of them do display the symmetry and the near-tessellated quality associated with traditional Indian art. Modern mandalas are often used as relaxation tools, but for centuries they were associated with devotional practice. Here, the Buddha is gone missing, replaced by a microchip.